Meet Robert Carhuayo – Yusef El-Fayoumy What made you want to audition for The Last Days of Judas Iscariot? I’m taking one less class this quarter and was looking for stuff to do. I was in Commedia dell’Arte and auditioning for a film but still looking for more to do. I was walking to the […]
Who’s Who in The Last Days of Judas Iscariot – Leslie Browne
Catch Up With Leslie Browne – Mother Teresa Leslie has performed in many shows and readings with the Hyde Park Community Players, including An Evening of Horror and Suspense, readings of The Bluest Eye, A Raisin in the Sun, and At The Hawk’s Well/Dreaming of the Bones. Her most recent main stage performance was as […]
Who’s Who in The Last Days of Judas Iscariot – Ovetta Sampson
Meet Ovetta Sampson – Loretta What made you interested in auditioning for The Last Days of Judas Iscariot? I don’t make resolutions, but every year in January, I try to live by a word. My word this year, it’s openness, which includes new experiences. I saw the auditions listed in the Hyde Park Herald. It’s […]
Who’s Who in The Last Days of Judas Iscariot – Amelia Snoblin
Catch up with Amelia Snoblin – Mary Magdalene and Gloria Amelia has appeared on stage with the Hyde Park Community Players many times! She has been in all of the outdoor summer Shakespeare productions – The Tempest, Twelfth Night, and As You Like It. She has been in Musical of Musicals, The Musical!, The 25th […]
Season tickets for 2019-2020
Our 2019-20 Season includes: Airline Highway by Lisa D’Amour, running November 15-17, 22-24 She Kills Monsters by Qui Nguyen, running March 13-15, 20-22 Importance of Being Ernest by Oscar Wilde, running May 29-31, June 5-7 3-4 weeks before each show, Corinna will reach out to you to see which performance you plan to attend! Your name will […]
Mariana Pineda by Federico Garcia Lorca, translated by Robert Havard, directed by Renata McAdams.
Mariana Pineda, by Federico Garcia Lorca directed by Renata McAdams Performance dates: November 8-10 & 16-18, 2018 University Church (5655 S University Ave) Lorca’s Mariana Pineda, written in the early 1920s, was based on a real Granadan folk heroine of the 1830s. Described by Lorca as “A popular ballad in three engravings,” the play is lushly […]